Creativity Lost
The excerpt from Lawrence Lessig’s Future of Ideas is startling, and if true, tremendously sad. But I wonder how much creative impediments are more a creation of lawyers looking to be paid as opposed to actual law.
I am no expert on copyright law, but the examples Lessig sites seem extreme. For instance,
The movie Batman Forever was threatened because the Batmobile drove through an allegedly copyrighted courtyard and the original architect demanded money before the film could be released.
Last I checked, anyone with a video camera can shoot footage in a public space. It’s the reason the paparazzi can stalk celebrities and why television correspondents can report from outside any building they choose (national security concerns exempted, of course).
Tom Cruise can shoot a boat chase on Rome’s Tiber River.
As for chairs, art, etc., lots of companies pay good money for product placements. Think of all the not-so-subtle Pepsi cans that appear in movies or the episode of Friends about Pottery Barn’s apothecary table. Won’t companies benefit if their products are associated with Hollywood?
Based on Lessig’s examples it seems that individual artists, architects and the like are the ones who are litigious. Yet individuals probably have a lot more to gain from the exposure than Coca-Cola, which everyone on the planet already knows.
It’s truly ironic if creative professionals are hindering the creativity of their fellow artists.
I am no expert on copyright law, but the examples Lessig sites seem extreme. For instance,
The movie Batman Forever was threatened because the Batmobile drove through an allegedly copyrighted courtyard and the original architect demanded money before the film could be released.
Last I checked, anyone with a video camera can shoot footage in a public space. It’s the reason the paparazzi can stalk celebrities and why television correspondents can report from outside any building they choose (national security concerns exempted, of course).
Tom Cruise can shoot a boat chase on Rome’s Tiber River.
As for chairs, art, etc., lots of companies pay good money for product placements. Think of all the not-so-subtle Pepsi cans that appear in movies or the episode of Friends about Pottery Barn’s apothecary table. Won’t companies benefit if their products are associated with Hollywood?
Based on Lessig’s examples it seems that individual artists, architects and the like are the ones who are litigious. Yet individuals probably have a lot more to gain from the exposure than Coca-Cola, which everyone on the planet already knows.
It’s truly ironic if creative professionals are hindering the creativity of their fellow artists.
